Dir. Ross Cairns
In ‘Lives of the Artists’, Ross Cairns takes three different, but in his view, related 'artists’. These are not painters or sculptors, but a British and Irish trio of surfers (Tom Lowe, Fergal Smith and Mickey Smith), a French free-riding snowboarder (Xavier De La Rue) and a hardcore band from Watford (Gallows).
Cairns’ belief is that these disparate creative practitioners, through their commitment, dedication and the passioned execution of their various disciplines are true artists. They are able to communicate in a powerful yet abstract way. This thesis, here beautifully illustrated in high-definition and often in slow-motion, is often found in more cerebral soul sports publications, and when accompanied by such stunning cinematography is persuasive. However, Cairns’ exposition is undermined by his subjects.
To be an artist is to communicate, and all three subjects are communicative, both in their chosen fields and in individual pieces to camera. But to be an artist, as opposed to an aspiring artist, there must be something to communicate, a life lived. Unfortunately, as so often in soul sports and contemporary music, the candidates offered here know too little of life to be genuine artists.
That’s not say that the talents of those on show are not exemplary, and in time they may go on to excel and transcend their individual disciplines, but only Xavier De La Rue is able to suggest something other than committed obsession. In one chilling sequence De La Rue talks of his renewed resolve and love of the mountains after a near fatal avalanche. It’s a moving moment, especially when accompanied by footage of the 'chute’.
Ultimately the film fails to prove the theory. It is a beautifully illustrated and argued point, but perhaps due to budget or sponsors involvement the triptych is uneven. This is unfortunate as Cairns is able to move effortlessly between the disciplines and carefully constructs his narrative. A flawed, but engaging film.
2010-02-07 23:28:39 GMT permalink
2009-12-27 16:13:35 GMT permalink
2009-12-06 23:51:00 GMT permalink
Pacing a film seems to be a fading art, a skill whose time has passed, left only to the dedicated craftsmen. Fortunately one such cinematic artisan is Eric Guirado, the director of Le fils de l'épicier (The Grocers Son). The film, beautifully shot by Laurent Brunet, is a gentle tale that combines stunning Hautes-Alpes scenery with the tensions of familial obligation and the decline la belle France.
French cinema seems to be going through particularly nostalgic phase at the moment, and although Guirado’s first ‘fictional’ film showcases the beauty of rural France, with sun drenched valleys and sleepy villages, it doesn’t pull too many punches. There’s an all too direct undercurrent of anger and alienation, not amongst the young urban poor, of the kind explored by Mathieu Kassovitz’s La Haine, but an older, bitter and subtle disaffection of the those at the end of their youth whose lives are drifting.
There’s a wonderfully naturalistic feel to the film, especially in the performances of the elderly villagers, perhaps aided by the directors long career as a documentary filmmaker. The camera is allowed to linger and pause and the film breathes at a slow pace. Unfortunatley the ending is strangely rushed, and after such a largo rendition the finale seems to tumble slightly out of control towards it’s conclusion. Despite this the film is a beautifully observed piece with some lovely performances. One to watch on a Sunday afternoon, perhaps with a small pastis or two.
2009-10-30 23:54:00 GMT permalink
2009-10-25 16:57:00 GMT permalink
2009-09-06 20:30:00 GMT permalink